Bindi Vora

Bindi Vora is an interdisciplinary artist, Senior Curator at Autograph, London and Associate Lecturer at UAL. Her curatorial practice explores postcolonial histories, diaspora and reinterpretation through photography and lens-based practices. She has curated several critically acclaimed exhibitions including Our Bodies Have Been Bridges (2026), Nhu Xuan Hua: Of Walking on Fire (2026) and I Still Dream of Lost Vocabularies (2025). Her writing has appeared in Another Country: British Documentary Photography Since 1945, The 80s – Photographing Britain, FOAM Magazine and the British Journal of Photography.

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